This is the conclusion?
Supernaural in midsummer night plays contain many supernatural elements, e. With these elements, Shakespeare produces a new dramatic genre. A play is a kind of magic, as the theatre itself is a place of magic. What makes them different then?
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We'll occasionally send you account related and promo emails. The first is that Prospero stands on a much higher level than the nymphs and other creatures on his island, which makes the others equally weak. They have their king and queen and the higher and lower positions as in real society.
The second reason is that Iris, Ceres and Juno are nothing but some reshaped versions of Ariel.
For this reason, they will be referred to as male characters in the essay. Shakespeare took the characters from the world of classical English fairytales. Puck is a sprite, quick-witted and mischievous. He is the brownie who vexes others on purpose, skims milk and eats the cream or pulls out the stool from under the old ladies who wished to sit down and he tells all these stories to the villagers himself.
The character of Ariel is more of an original creation. He is quick-witted too, but not as much as his master, therefore Prospero cannot treat him as his equal.
He is a great helper and a joyful creature as well. He is similar to his master, making magic on stage, as his master does. Ariel can reshape himself to be a nymph, a goddess or an animal, which is real magic on stage. Puck never disguises himself, only others, which is caries out off-stage and the audience is shown only the end product.
He also shows tricks and makes fun of others showing their weak points. He is a real brownie. Thus Shakespeare clearly used fairytales and scenes from old English stories.
Another important part of old English tales is music, with which Ariel and Puck are both surrounded. Music is the way of telling stories for Ariel and this is the way for him to transform too Pierce In The Tempest, Ariel is the only character who sings, except for the drunken people, Stephano and Caliban.Transcript of Magic and the Supernatural in A Midsummer Night's Dream Oberon tells Puck that he will use the magic flower on Titania, and tells Puck to find and use it on an Athenian man (Demetrius) as well.
A genuine understanding of Shakespeare's reliance on the spirit world, however, cannot be reached without examining the supernatural's role in a more comedic work as well, such as A Midsummer Night. The supernatural in A Midsummer Night’s Dream “A midsummer night’s dream is a comedy by William Shakespeare.
It is believed to have been written around to A Midsummer Night's Dream Theme of The Supernatural Magic is the delightful thread that runs through the tapestry of A Midsummer Night's Dream. Magic is about the supernatural elements of the mythic and fairy world (like Cupid's arrows on a starry night), but it's also a simpler, more natural force.
In "A Midsummer Night's Dream," and in "The Tempest," where he ascends to the heights of almost pure poetry, he gives the imagination full scope in the creation of supernatural agencies and a free, but firm-held rein in driving on to grotesque results impossible to natural agencies.
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